GALLERY

  • Girl with Blue Bow

    Han van Meegeren (1889-1947), Girl with a Blue Bow, in the style of Johannes Vermeer (Dutch, 1632-1675), ca. 1924, gelatin-glue medium and pigment over obscured 17th century painting fragment. Courtesy of The Hyde Collection, Glens Falls, New York.

  • Portrait of a Lady

    Han van Meegeren (1889-1947), Portrait of a Lady, 20th century, oil on canvas. Courtesy of Yale University Art Gallery, Mabel Brady Garvan Fund.

  • Head of Christ

    Han van Meegeren (1889-1947), Head of Christ, in the style of Johannes Vermeer (Dutch, 1632-1675), 1940-41, oil on canvas. Courtesy of Museum Boijmans Van Beuningen, Rotterdam. Photo: Studio Tromp, Rotterdam.

  • The Procuress (after Baburen)

    Han van Meegeren (1889-1947), The Procuress (after Baburen), in the style of Dirck van Baburen (Dutch, c. 1595 -1624), 1940, oil on canvas. Courtesy of The Samuel Courtauld Trust, The Courtauld Gallery, London.

  • SELF PORTRAIT (ELMYR DE HORY)

    Elmyr de Hory (1906-1976), Self Portrait (Elmyr de Hory), ca. 1974, oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • Portrait of a Woman

    Elmyr de Hory (1906-1976), Portrait of a Woman, in the style of Amedeo Modigliani (Italian, 1884-1920), ca. 1975, oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • Portrait of a Woman

    Elmyr de Hory (1906-1976), Portrait of a Woman, in the style of Amedeo Modigliani (Italian, 1884-1920), 1956-1957, oil on canvas. Courtesy of Scott and Pamela Richter.

  • Village

    ORIGINAL WORK OF ART by Maurice de Vlaminck (French, 1876-1958), Village, ca. 1908, gouache, watercolor, and ink on paper laid down on canvas. Courtesy of the Oklahoma City Museum of Art. Gift of Mr. and Mrs. R.A. Young. Photo: Shannon Kolvitz.

  • Fauve Landscape

    Elmyr de Hory (1906-1976), Fauve Landscape, in the style of Maurice de Vlaminck (French, 1876 – 1958), ca. 1968, oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • The Three Friends (Les Trois Amies)

    ORIGINAL WORK OF ART by Pablo Picasso (Spanish, 1881-1973), The Three Friends (Les Trois Amies), second state, 1923, etching. Publisher: Vollard Paris, Printer: Louis Fort, Paris, Edition: 159 after steel-facing. The Museum of Modern Art, New York. Gift of Abby Aldrich Rockefeller, 1940. © 2013 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

  • Dansueses Nues

    Elmyr de Hory (1906-1976), Dansueses Nues, in the style of Pablo Picasso (Spanish, 1881 – 1973), 1972, lithograph. Collection of Colette Loll. Photo: Laila Abdul-Hadi Jadallah, International Arts & Artists.

  • Woman in Three Quarter Profile

    Elmyr de Hory (1906-1976), Woman in Three Quarter Profile, in the style of Henri Matisse (French, 1869 – 1954), ca. 1975, ink on paper. Collection of Mark Forgy. Photo: Robert Fogt.

  • Portrait of a Woman

    Elmyr de Hory (1906-1976), Portrait of a Woman, in the style of Henri de Toulouse-Lautrec (French, 1864 – 1901), ca. 1968, pencil on paper. Collection of Mark Forgy. Photo: Robert Fogt.

  • Model in Repose (Le repos du modèle)

    ORIGINAL WORK OF ART by Henri Matisse (1869 – 1954), Model in Repose (Le repos du modèle), 1922, lithograph. Courtesy of The Museum of Modern Art, New York. Abby Aldrich Rockefeller Fund, 1949. ©2013 Succession H. Matisse, Paris / Artist Rights Society (ARS), New York.

  • Woman at Table

    Elmyr de Hory (1906-1976), Woman at Table, in the style of Henri Matisse (French, 1869 – 1954), ca. 1975, oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • Odalisque

    Elmyr de Hory (1906-1976), Odalisque, in the style of Henri Matisse (French, 1869 – 1954), 1974, oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • Orchestral Scene

    Elmyr de Hory (1906-1976), Orchestral Scene, in the style of Raoul Dufy (French, 1877 – 1953), ca. 1971, watercolor on paper. Collection of Mark Forgy. Photo: Robert Fogt.

  • La Baigneuse aux Papillons

    ORIGINAL WORK OF ART by Raoul Dufy (1877 - 1953), La Baigneuse aux Papillons, 20th century, etching on paper. Collection of The John and Mable Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida.

  • Regatta

    Elmyr de Hory (1906-1976), Regatta, in the style of Raoul Dufy (1877 – 1953), ca. 1974, oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • Caryatid

    Elmyr de Hory (1906-1976), Caryatid, in the style of Amedeo Modigliani (Italian, 1884 -1920), ca. 1971, pencil on paper. Collection of Mark Forgy. Photo: Robert Fogt.

  • Dancer

    ORIGINAL WORK OF ART by Amedeo Modigliani (1884 - 1920), Dancer, ca. 1918, pencil on paper. Courtesy of the Chrysler Museum of Art, Norfolk, Virginia. Gift of Anthony Gargiulo, 2008.6.

  • Nude Lying on Her Side, Arms Under Head (Nu couché sur le côté, les bras sous la tête)

    ORIGINAL WORK OF ART by Henri Matisse (French, 1869-1954), Nude Lying on Her Side, Arms Under Head (Nu couché sur le côté, les bras sous la tête), 1929, Etching, plate: 4 x 5 ¾” (10.1 x 14.6 cm); sheet: 11 x 14 15/16 (28 x 37.9 cm), Publisher: unknown, Printer: Vernant or Lacourière, Paris, Edition: 25, The Museum of Modern of Art, New York. Stephen C. Clark Fund, 1951. ©2013 Succession H. Matisse, Paris / Artist Rights Society (ARS), New York.

  • Woman Resting Her Head on Arm

    Elmyr de Hory (1906-1976), Woman Resting Her Head on Arm, in the style of Henri Matisse (French, 1869 – 1954), ca. 1968, pen and ink on paper. Collection of Mark Forgy. Photo: Robert Fogt.

  • Mary Hamilton

    ORIGINAL WORK OF ART by Henri de Toulouse-Lautrec (1864-1901), Mary Hamilton, 1896, lithograph, black ink on white wove paper. Gift of Mrs. Myron Black, Mount Holyoke College Art Museum, South Hadley, Massachusetts, Photograph Laura Shea 1978.5.8.

  • Portrait of Elmyr and his brother Stephan

    Elmyr de Hory (1906-1976), Portrait of Elmyr and his brother Stephan, in the style of Philip de László (Hungarian, 1869-1937), date unknown , oil on canvas. Collection of Mark Forgy. Photo: Robert Fogt.

  • Francis Patrick Garvan

    ORIGINAL WORK OF ART by Philip Alexius de Laszlo (1869-1937), Francis Patrick Garvan, 1921, oil on canvas. Courtesy of National Portrait Gallery, Smithsonian Institution, Washington, DC, U.S.A, gift of Ms. Anthony Nicholas Brady Garvan, NPG.96.131. Photo © National Portrait Gallery, Smithsonian Institution / Art Resource, NY.

  • Portrait of a Woman

    Elmyr de Hory (1906-1976), Portrait of a Woman, in the style of Henri Matisse (French, 1869 – 1954), 1974, crayon on paper. Collection of Mark Forgy. Photo: Robert Fogt.

  • Standing Young Man Leaning on a Plinth

    Eric Hebborn (1934-1996), Standing Young Man Leaning on a Plinth, in the style of Jean-Antoine Watteau (French, 1684 -1721), 1970s, black and red chalk on laid paper. Courtesy of the National Gallery of Art, Washington, DC. Gift of Dian Woodner, 2008.38.6.

  • A Naked Man with One Foot on a Helmet

    Eric Hebborn (1934-1996), A Naked Man with One Foot on a Helmet, in the style of Andrea Mantegna (Italian, c. 1431 - 1506), undated, pen and black ink on laid paper. Courtesy of the National Gallery of Art, Washington, DC, Joseph F. McCrindle Collection, 2009.

  • Testa di Guerriero (Warrior’s Head)

    Attributed to Eric Hebborn (1934-1996), Testa di Guerriero (Warrior's Head), in the style of Aniello Falcone (Italian, 1607-1656), early 1990s, red chalk. Photo: Mattia Jona.

  • Bust of Old Man (in a guercinesque style)

    Attributed to Eric Hebborn (1934-1996), Bust of Old Man (in a guercinesque style), early 1990s, black chalk. Courtesy of Mattia Jona, Photo: Mattia Jona.

  • Untitled

    Attributed to Eric Hebborn (1934-1996), Untitled, in the style of 16th century Italian drawing, Cremonese school, early 1990s, red chalk. Courtesy of Mattia Jona, Photo: Mattia Jona.

  • St. George and the Dragon

    Eric Hebborn (1934-1996), St. George and the Dragon, in the style of Jacopo Bellini (Italian, 1400 - 1471), 1994; signed and numbered 37/40, produced for the exhibition The Difficulties of Attribution, at Archeus Fine Art, London; 1994, color photograph. Collection of Colette Loll.

  • Self Portrait with Shaded Eyes and Text

    John Myatt (b. 1945), Self Portrait with Shaded Eyes and Text, undated, mixed media on canvas. Courtesy of Linda Ann Foulds. Photo: Washington Green Fine Art.

  • Girl with a Pearl Earring

    John Myatt (b. 1945), Girl with a Pearl Earring, in the style of Johannes Vermeer (Dutch, 1632-1675), 2012, oil on canvas. Courtesy of Graham & Margaret Wright, Stratford Upon Avon, Warwickshire. Photo: Washington Green Fine Art.

  • Charing Cross Railway taken from the Savoy

    John Myatt (b. 1945), Charing Cross Railway taken from the Savoy, in the style of Claude Monet (French, 1840 – 1926), 2011, oil on canvas. Courtesy of Clive and Shyamali Fenton, UK. Photo: Washington Green Fine Art.

  • Landscape near Auvers

    John Myatt (b. 1945), Landscape near Auvers, in the style of Vincent van Gogh (Dutch, 1853 – 1890), 2011, oil on canvas. Courtesy of Clive and Shyamali Fenton, UK. Photo: Washington Green Fine Art.

  • Odalisque

    John Myatt (b. 1945), Odalisque, limited edition print; in the style of Henri Matisse (French, 1869 – 1954), 2011. Courtesy of Washington Green Fine Art & Castle Galleries, United Kingdom. Photo: Washington Green Fine Art.

  • The Paddock

    John Myatt (b. 1945), The Paddock, in the style of Raoul Dufy (1877 – 1953), undated, oil on canvas. Courtesy of Mr. T. West & Mr. K. West, Photo: Washington Green Fine Art.

  • La Grande baigneuse (The Large Bather)

    ORIGINAL WORK OF ART by Raoul Dufy (1877 - 1953), La Grande baigneuse (The Large Bather), ca. 1928, color lithograph on paper, ed. 4/40. Courtesy of the Weatherspoon Art Museum, The University of North Carolina at Greensboro. Bequest of Etta and Claribel Cone, 1949.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Paul Signac (French, 1863–1935), date unknown, watercolor on paper. Property of the Oklahoma City Museum of Art. Photo by Shannon Kolvitz.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Louis Valtat (French, 1869-1952), date unknown, watercolor on paper. Property of the Oklahoma City Museum of Art. Photo by Shannon Kolvitz.

  • Evening (Le soir)

    ORIGINAL WORK OF ART by Paul Signac (French, 1863–1935), Evening (Le soir), 1898, lithograph. The Museum of Modern Art, New York. Purchase Fund, 1949. ©The Musuem of Modern Art/Licensed by SCALA / Art Resource, NY.

  • Paris: Le Pont des Arts with Tugboats (Paris: Le Pont des Arts avec Remorqueuers)

    ORIGINAL WORK OF ART by Paul Signac (French, 1863–1935), Paris: Le Pont des Arts with Tugboats (Paris: Le Pont des Arts avec Remorqueuers), 1927, etching and aquatint. The Museum of Modern Art, New York. Larry Aldrich Fund, 1951. ©The Musuem of Modern Art/Licensed by SCALA / Art Resource, NY.

  • FRENCH ACADEMIC NUDE

    Mark Landis (b. 1955), French Academic Nude, date unknown, charcoal on paper. Property of the Oklahoma City Museum of Art. Photo: Shannon Kolvitz.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Stanislas Lépine (French, 1835-1892), date unknown, oil on board. Property of the Oklahoma City Museum of Art. Photo: Shannon Kolvitz.

  • Noonday Sunlight

    ORIGINAL WORK OF ART by Charles Courtney Curran (1861-1942), Noonday Sunlight, 1924, oil on canvas. Courtesy of Richmond Art Museum, Richmond, Indiana. Photo: Grey Pyle Photography.

  • Women Seated on Lawn

    Mark Landis (b. 1955), Women Seated on Lawn, in the style of Charles Courtney Curran (American, 1861-1942), ca. 2000, oil on pressed board. Courtesy of the Paul and Lulu Hilliard University Art Museum.

  • The Old Violinist

    Mark Landis (b. 1955), The Old Violinist, in the style of Charles Courtney Curran (American, 1861-1942), 2013, oil on canvas. Courtesy of Mark Landis. Photo: Laila Abdul-Hadi Jadallah, International Arts & Artists.

  • Come Kiss the Master…

    ORIGINAL WORK OF ART by Honoré Daumier (French, 1808 - 1879), Come Kiss the Master…, 1898, lithograph. Collection of The John and Mable Ringling Museum of Art, the State Art Museum of Florida, Florida State University, Sarasota, Florida.

  • The Knight Sancho Panza

    ORIGINAL WORK OF ART by Honoré Daumier (French, 1808 - 1879), The Knight Sancho Panza, undated (believed to be between 1850-1870), ink on paper. Courtesy of the Chrysler Museum of Art, Norfolk, Virginia, Museum purchase, 50.48.54.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Honoré Daumier (French, 1808 - 1879), date unknown, mixed media. Property of the Oklahoma City Museum of Art. Photo: Shannon Kolvitz.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Henri Matisse (French, 1869 – 1954), 2013. Collection of Colette Loll. Photo: Laila Abdul-Hadi Jadallah, International Arts & Artists.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Henri Matisse (French, 1869 – 1954), 2013, pen and ink on paper. Collection of Colette Loll. Photo: Laila Abdul-Hadi Jadallah, International Arts & Artists.

  • Young Girl of the Rose (Petite fille à la rose), from the suite Life in the Castle (La vie de château)

    ORIGINAL WORK OF ART by Marie Laurencin (1883-1956), Young Girl of the Rose (Petite fille à la rose), from the suite Life in the Castle (La vie de château), 1926, color lithograph on paper, ed. 109/110. Courtesy of the Weatherspoon Art Museum, The University of North Carolina at Greensboro, Bequest of Etta and Claribel Cone, 1949.

  • Untitled

    Mark Landis (b. 1955), Untitled, in the style of Marie Laurencin (French, 1883 - 1956), undated, charcoal on paper. Property of the Oklahoma City Museum of Art. Photo: Shannon Kolvitz.

  • Bathers

    ORIGINAL WORK OF ART by Lionel Walden (1861-1933), Bathers, 1895, oil on canvas. Courtesy of Dr. Edward T. Wilson.

  • Portait of a Lady

    Mark Landis (b. 1955), Portait of a Lady, in the style of Pablo Picasso (Spanish, 1881 – 1973), 2013, oil on canvas. Courtesy of Jennifer L. M. Bentzen.